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RARB/CASA Forums • View topic - Cadence - Twenty For One

Cadence - Twenty For One

Discuss our reviews or just talk about any old album.

Cadence - Twenty For One

Postby tat-tong » Thu Jun 16, 2005 1:44 am

Tat Tong
Producer | Engineer | Songwriter | Arranger | Publisher

T2 Productions
Managed by Universal Music (Publishing)
An award-winning member of the VocalSource network.
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Posts: 341
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Location: Singapore

Postby andrea figallo » Sun Jun 19, 2005 1:50 am

andrea figallo
 
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Location: Italy

Postby andrea figallo » Tue Jun 28, 2005 10:16 am

no one else has anything to say about this album ???
andrea figallo
 
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Location: Italy

Postby sdargie » Tue Jun 28, 2005 12:11 pm

Sean Dargie
sdargie
RARB
RARB
 
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Location: Allston, MA

Postby alokin123 » Tue Jun 28, 2005 10:31 pm

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Postby bates » Wed Jul 06, 2005 6:34 pm

Overall, to be honest, I give this album a 4.5.

My two favorite tracks, by far, are Drycleaner from Des Moines and Hit That Jive. The former is a trippy and artful voyage across a Joni Mitchell standby, and captures everything I love about Cadence: it's a deft and creative arrangement that manages to transfigure the original without losing its charms. The latter is a bit more of a straight-up number, but is done with such musicality and perfection that it completely floored me. Despite my own unpleasant personal associations with Hit That Jive, I can't stop listening to it.

There are other really good tracks on here: the Cake-laced opener (Perhaps Perhaps Perhaps) is catchy and fun and bright. Blues on Sunday is a slick little original number. Don't Fix What's Broken reminded me heavily of a Wonders-of-the-World-era FOCS song.

But, by and large, Twenty for One just didn't grab me in the same way that Frost-Free did. I listen to songs like The Perfect Kiss and I am nonplussed. 50 Ways To Leave Your Lover was, save the flawless and awesome percussion, fairly uninteresting. Where's the suave and beautiful lyricism from Shape of My Heart? It left me, a dedicated Paul Simon fan, fairly cold; it seemed like an average cover, lacking in interpretation or (really) feeling.

Don't let me give you the idea that this is a bad album. It's not. It's great. I would have paid for even just those two standout tracks, and the others are, if not all that I want, pretty head-and-shoulders above most other a cappella out there. The musicality is of course impeccable, the production pristine and never distracting. Their stylistic range on this album varies fairly widely, and has something for everyone.

Verdict: sorry for dissembling so much, but here it is: get this album. Listen to it, a lot. I think you will find here exactly what makes Cadence one of the best professional groups out there. You will enjoy it. A few bumps don't make the voyage unpleasant.
Daniel Bates '05
MIT Impulse (Present) The Beltway Boys (Summer 2007)
(2001-Present!) (1997-2001)
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Postby A.A.C.I. » Thu Jul 07, 2005 8:28 am

Since there has been so much talk of Cadence and Duwende as of late on the forums, I just thought I'd post and remind everyone that they will be together at SoJam in November. It's a great opportunity to learn from the pros, ask any of the "How did they do that?"-type questions during their seminars, and get to see them rock it out on the same stage that gave us the House Jacks last year. Don't miss out on this event! Anyone who has been in year's past will tell you, it's worth it! There will be other football games this year, there will be other concerts this year... SoJam happens once! Make it happen!

Nick
President, AACI
The is a not-for-profit educational organization dedicated to the advancement and continuing evolution of Vocal Music as an art form and cultural phenomenon.
A.A.C.I.
 
Posts: 93
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Postby vocalmark » Sun Jul 24, 2005 8:01 pm

Mark Hines The Vocal Company - , 2011 Executive Producer , 2010 Board of Directors

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Postby playdeep » Tue Jul 26, 2005 6:38 am

Kurt Walker
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