by dherriges » Tue Apr 15, 2008 9:38 pm
There are a ton of things you can do to promote auditions... it's much easier at a school that has a very large a cappella scene, of course. I also suspect it's easier at a smaller school, where everyone's less anonymous and a popular a cappella group can be campus celebrities of a sort in a way that'll never happen at an enormous state school.
But I think it all boils down to:
1) Sing for incoming freshmen, every opportunity you can possibly find.
2) Take the time to design an attention-grabbing publicity campaign, and then go absolutely all out with it. Every group at Stanford puts up hundreds of flyers and posters for their auditions; some get as many as 1000 color posters. You want every single student to be seeing them regularly. Same goes for concert promotion. This year, an Intro to Humanities guest lecturer brought up Mixed Company's "Love Sucks" concert flyers as an example of some point she was trying to make in one lecture. She'd apparently seen enough of them around campus that they made an impression. That's how visible you've got to be.
3) Facebook is a beautiful recruiting tool in several ways. Use it.
4) If you do audition signups in public (at Stanford, groups get tables and hang out in a central gathering place on campus to recruit): Be noticed. Get a large prominent banner. Get a loud boombox to play your CDs. Have as many group members as you can there at one time. Stage an impromptu performance or two. Get your best schmoozers out there to work the crowd. Don't underestimate sex appeal: look hot while you're doing it.
5) In all of this, the more enthusiastic your group is about auditions and about getting its name out, the more positive an impression you'll make. Even in a "rebuilding" year when you're losing a lot of talent and just hoping to get enough decent auditionees to hang on, approach the process as though you're an elite group of ridiculously talented and awesome people that every freshman should be dying to be a part of. Without being cocky about it, of course, but if you're in love with what you do and you show it, people will form a positive impression of you even if they've never heard you sing.
I've seen ample confirmation of this; in fact, I've seen it work for Mixed Company while I was a member. In a year in which we had no claim to being one of the better a cappella groups on Stanford's campus, we simply made a conscious decision to approach auditions as though we were. Not in terms of being deceptive in any way, but in terms of presenting an air of confidence and professionalism. We succeeded in making the group seem like a desirable thing to be a part of, and got better singers that year (and the next two) than we ever could have if auditionees were choosing a group to join based on musical merit alone. Luckily, they're not. (Mixed Co's musicality has now caught up to its reputation, but my point is we decided the reputation had to come first, and that strategy worked.)
Daniel Herriges
Stanford Mixed Company 2004-2007